Tuesday, October 1, 2013

Blues Company - Keepin' The Blues Alive



the blues is dead
and these guys prove it..blues is music to get drunk and dance to...not what you get here....this is white guy acting cool music...

Pretty good urban blues show
Interesting that it's German people playing in Germany, but excellent blues music (they sing in English). If you like Stevie Ray Vaughan, Buddy Guy or basically any other electric blues, you might enjoy this, I did.

Great Blues Extravaganza
Although I never heard of Blues Company, they are certainly Keepin' The Blues Alive. There is no false advertising in the title. They play and scowl blues in genuine fashion. Pleasantly surprised and very impressed by this top act.

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Peyton Place [HD]



Get this DVD-Peyton Place the classic soap opera
Peyton Place is one of my favorite books and one of my favorite movies. The filming and score are beautiful. The scenery of coastal Maine is fantastic. This is one of the most popular soap operas...the term "Peyton Place" has come to mean a gossipy community.

Most of the acting is great... the only actor that does not seem right for the role is Lee Philips. He is does not see the type of guy Lana Turner would go for.

Lana Turner and Diane Varsi have some great mother daughter conflicts. Lloyd Nolan is great as the doctor caught in the moral dilemma of covering up a miscarriage (which was an abortion in the book)

The DVD adds an interesting commentary by Russ Tamblyn and Terry Moore. You feel as if you are sitting with them as the watch the film. They give share stories of what it was like to be a young actor in the 1950s.

This is a great film and even better DVD. My wife and I liked the book and movie so much we named our daughter Allison after Peyton Place's...

The secrets and scandals of a small New England town
Based the bestselling novel by Grace Metalious, Peyton Place is a hallmark of mid-20th century American culture and remains powerful melodrama to this day. Modern audiences in particular might notice similarities with the currently popular Dawson's Creek.

The story centers around shopowner Constance MacKenzie (Lana Turner), hiding a secret from her past; her daughter Allison (Diane Varsi), who dreams of escaping from Peyton Place and becoming a writer; Allison's best friend Selena Cross (Hope Lange), who lives literally on the other side of the tracks and suffers abuse at the hands of her drunken stepfather (Arthur Kennedy); Norman Page (Russ Tamblyn), a shy, quiet student yearning to break away from his domineering mother; Rodney Harrington (Barry Coe), the playboy son of millowner Leslie Harrington (Leon Ames), who disapproves of his son's relationship with the flashy Betty Anderson (Terry Moore); and Mike Rossi (Lee Phillips), the new high school principal smitten...

One of the very best of its kind!!
Peyton Place was filmed in beautiful Camden, Maine and I remember the time when it was filmed there..I was a kid growing up in Portland , Maine. It is a great piece of melodrama, and the music of course makes it such. The score alone merits attention, and you can get it on CDs and Lp if you search. Well worth it.

The film has many pluses: Lana Turner is in a new kind of role here, not so camp, but fun to witness her distress and those hands of hers moving in all directions. Also, check out her Maine accent. Where can she be from???
Diane Varsi is wonderful as Allison, and Hope Lange never better..this is one out of three or four good Hope Lange performances. All of Varsi should be seen, including Johnny Got His Gun and even Bloody Mama.When Varsi made Peyton Place she was 23 and had been married three times and had some children. Her Reveries on marriage and chastity have strange resonaces to them!

Betty Field is in this, and she oozes madness; her husband is Arthur...

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Deck The Halls [HD]



Forget decking the halls, see what how they deck the house in this one
There are two reasons to see "Deck the Halls," and those two reasons would not be the stars Danny DeVito and Matthew Broderick. This 2006 Christmas comedy was apparently inspired by "National Lampoon's Christmas Vacation," or the episodes of "Home Improvement" where Tim tries to outdo the neighbor's Christmas display, or any other movie or television show that is based on the oxymoronic notion of cut-throat decorating at Christmas time, none of which is enough to warrant seeing this film either, especially if you can get your hands on one of those others instead. But still, there are a couple of reasons to check this movie out nonetheless.

Steve Finch (Broderick) is not only the town's eye doctor, he is also Mr. Christmas. However, Buddy Hall (DeVito) has moved in across the street and when he learns that his house cannot be seen from space by an online site that is mapping the Earth, he decides the solution is to deck his house with every Christmas tree light he can get...

Forget the Halls
This film not only missed the mark, it missed the tournament. DECK THE HALLS is a Christmas movie hopelessly in search of a genre. The plot, which should have been simple, leans one way and then the other. At times DECK THE HALLS seemed to be a "Wanna Be" with blatant similarities to other comedies such as RV, CHRISTMAS VACATION, and PLANES, TRAINS AND AUTOMOBILES. Unfortunately the story trips over the holiday holly.

In the story Buddy Hall (Danny DeVito) moves in across the street from Steve Finch (Matthew Broderick). Finch is an upper middle class Massachusetts optometrist who holds the unofficial title as Mr. Christmas in his community. Finch is de-throned by his neighbor when Hall coincidentally decides to adorn his own home with so many lights that it will be visible from outer space. The gaudy Christmas display across the street only serves to push Finch over the edge. Though visitors and reporters gleefully flock to Hall's ever brighter work-in-progress,...

Not funny. A waste of two great talents Broderick and DeVito.
We wished this looser movie ended one hour sooner.
Comedy of errors is repetitious and not funny in the least.
Who wrote this thing?

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Hide And Seek [HD]



FATHER KNOWS BEST...
Let me cut to the chase. This film did not, at all, meet my expectations. The trailers lead one to believe that it is a film with supernatural overtones, but it turns out to be something else all together. The story line seems simple on its face. Alison Callaway (Amy Irving), a wife and loving mother, unexpectedly decides to slit her wrist in the bathtub one night, killing herself. Her husband, psychologist David Callaway, comes upon her lifeless body, and so does their beloved daughter, Emily (Dakota Fanning). Emily goes into shock and comes under the care of a therapist named Katherine (Famke Janssen).

Sometime later, when Emily's condition seemingly improves, her father then decides to leave New York City, where they live, and relocate to a small upstate town. No sooner do they move there, they meet the real estate agent and the town's sheriff, both of whom seem a tad peculiar. Moreover, there appears to be something not quite right with the couple next door, especially...

Let's play Hide and Seek with the DVD, and pretend we can't find it
It's important for a director to immediately establish a level of trust with his/her audience. We need to believe that we are in capable hands that will introduce us to characters and situations that make perfect sense, and that events will follow one another with unyielding logic.

At first, I felt that a decision made early in the film was a decision that was outside the "trust" I described above. Toward the end of the film, I realized that the decision was OK - even though I thought it was a bad idea on the filmmaker's part to make that particular decision. I wish that the screenwriters had worked harder to come up with a different way to get from point A to point B. The problem with the "real" decision was that I lost faith in the director/story almost immediately because it appeared - at the time - to be utterly ridiculous.

There was a scene where a cat came jumping out of a closet for shock value, and my lord, I can't count the number of times where that...

Traumatically bad
This movie starts off with the death of Emily's (Dakota Fanning) mother. Wanting to get away from it all, she and her father (De Niro), move to the country. There she finds friendship in an imaginary friend she calls Charlie. Strange, creepy things start happening, writing on walls, people dying, dolls defaced, etc...
The movie pretends to play out on the psychological effect of grief, which here came from the death of the mother. I don't want to spoil the movie, so I'll just say that one form we see comes in the shape of Emily's reclusiveness.
But unfortunately, it's just that, it pretends...there's no REAL psychological depth to the movie, which is too bad, otherwise it wouldn't have been that bad.

The movie plays out fairly predictably, in the sense that you can tell who is going to die and who isn't. Now I know this is supposed to be scary or something along those lines, but I just thought it failed at that. I was bored out of my mind during the first...

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Hush...Hush, Sweet Charlotte [HD]



About Bloody Time!!!
Whew!!! Here's a great film that took ages to finaly make it to the DVD format. Hey Fox, what took you guys so long?! Oh well, it doesn't matter. At least it's finally here.

This is the film that single-handedly transformed my perception of what an "old" film could be. I remember when I was thirteen years old (1996) and I caught this one on AMC on a stormy evening. By the fantastic staircase confrontation scene between Velma (Agnes Moorehead) and the sinister Cousin Miriam (Olivia DeHavilland, the movie had absolutely grabbed me by the eyeballs and wouldn't let go. I was captivated. I've had a lifelong love affair with older suspense films such as this one ever since, and this particular masterpiece is still my all-time favorite film.

If you've got a young person in your family who wonders why people are always talking about the "Golden Age" of film, you just pop this baby into the DVD player and let those young'uns learn a thing or two. If they're...

Robert Aldrich and his All-Hag Revue
My initiation into the wonderful world of Bette Davis was at the age of eight, when I begged my father to take me to see "Hush...Hush, Sweet Charlotte" at the Center Theater in Sunnyside. I just figured it was a "horror" movie. Well, seeing Bette Davis and company, it was love at first sight! "Charlotte" boasts a cast of "old vets" chewing up the scenery as if their lives depended on it. Miss Davis storms and rages and descends into near-madness as only she could, Olivia DeHavilland, who is a very fine and diversified actress, portrays Bette's sugar-coated rattlesnake of a cousin in a most convincing manner, and Agnes Moorehead-well, what can I say? Her slovenly, white-trash Velma Crother is a sight to behold-the woman was a scene-stealer. Add to this witch's brew an oily Joseph Cotten, the grand Mary Astor, Victor Buono, George Kennedy, and Ellen Corby in a small part, and you're in for a hoot of an evening! The films is a little too long, but...

"YOU JUST CAN'T KEEP HOGS AWAY FROM THE TROUGH!"
"HUSH...HUSH, SWEET CHARLOTTE" is my 3rd favorite movie ever. My 2 favorite are Joan Crawford films. I agree with the other reviewer. As great an actress as Joan Crawford was, she would not have been the BEST Miriam. Olivia de Havilland's brilliance in the role of Miriam is the way she played with understatement. That's what makes the psychological abuse inflicted on Charlotte so chilling...Miriam is unbelievably believable right up to the very last. Had Joan Crawford gotten into a power struggle via the camera, the whole film would have suffered. She would have had to keep too much charisma, strength, and presence pumping to hold her own with Bette Davis (which she was ENTIRELY CAPABLE OF DOING). Someday, if it still exists, 20th Century-Fox Video would be able to make a mint by releasing the unreleased film footage shot with Joan Crawford. Agnes Moorehead is excellent as Velma Ca--rothers: "Shooo-weeee! She ain't nothin' but a chiiiiiild..." This is...

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Quintet [HD]



The Underrated Robert Altman
Finally a boxed set that includes - aside from MASH - some of Robert Altman's underrated great films. Perhaps the most underrated of all of Altman's films is the great "Quintet", which you cannot find on DVD except for this collection, and the collection is worth it to have yet another look at "Quintet". It is a narrative film of the future, stark, bleak, existentialist. The film sets a mood, beginning with Paul Newman trudging through white snowy landscapes in search of someone whom he finds in one of the few remaining, if not last remaining, human habitations in this post-apocalyptic frozen landscape, but who is suddenly murdered bringing Newman's character into the bizarre world of the inhabitants caught up in the life and death tag game of Quintet. Fascinating, moody characters inhabiting this defined and multi-textured enclosed interior of a last outpost of human habitation. Well acted, exquisite cinematography, and for those who stick with it Quintet is a creative original...

Of Interest to the Altman Completists Only
This collection includes the four films Altman made for MGM. M*A*S*H is a certified classic and needs no further commentary so I'll just offer my thoughts on the other three films that are included.

A WEDDING: This is Altman's most exciting ensemble project since NASHVILLE. Thats a good thing. But where NASHVILLE is an elaborately structured and multi-layered narrative with large public and private themes A WEDDING is a much less structured and much more spurious affair. Its also much more uneven. I would describe this film as a three ringed vaudevillian circus with no ringmaster and an open bar because it is Altman's loosest project since BREWSTER MCCLOUD or at least it seems that way. Altman may have firm control over everything that happens on screen but it feels like the controlling purpose or thesis of the film is not to have one. But thats the reason the film is so exciting to watch. It seems like anything can happen from one moment to the next and that keeps you...

Flawed but worth buying for collectors...here's what the "general public" thought
First off, I have a love/hate relationship with Altman's films. I see each and EVERY one I can but I don't love every one and many leave me baffled or feeling totally alienated from whatever "message" or "vision" ALtman had at the time. More than few feel like experiments in the making, something he created to get to a point where he could make a film based on what he learned on a previous film.

Needless to say, the studios often had a less than kind attitude about the varying effect of his films on audiences - and the unpredictable box office profits.

Watching some of his film can be frustrating (because his great films are SO great!) that I find myself going back again and again to watch the films I didn't like, trying to give him another chance, trying to figure out what I could be missing.

So those who buy this collection of films may find themselves, as I was, totally smitten with Mash (one of my favorite films, period,) and have varied...

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Notes on a Scandal [HD]



"Why shouldn't you be bad?"
Notes on a Scandal is a gripping, captivating story of two lonely women and the ragged way they fall in and out of love. Sheba, a young art teacher, who falls into a torrid affair with a 15-year-old student, ostensibly because of the disappointment and difficulties in her family life. Then Barbara, an older history teacher, who takes Sheba under her wing--or so she thinks--and is the first to know her secret. The way this story unravels is enthralling and hard to watch, but at the same time I couldn't take my eyes away from the screen. I found myself sympathizing with Sheba, though I knew her actions were wrong, because I could understand the ache of loneliness one must feel when you begin to wonder if you've made the wrong choices in your life. Similarly, though the seemingly benevolent Barbara eventually turns out to have a cruel streak, I found myself empathizing for her lack of companionship and the fact that she seemed so completely alone. Notes on a Scandal is a story about...

Chilling
This grim drama of sexual manipulation is a story where almost everyone is a victim. Judi Dench (Barbara) plays the chilling role of the lonely spinster teacher who befriends young women with the goal of possessing them. Cate Blanchett (Sheba) is a dreamy, artistic young mother, who, after years of caring for a Down's Syndrome son, goes back to work as an art teacher at a rough London school. Barbara trains her sights on Sheba as she struggles with the chaos in the school and helps her out, but then discovers a secret to hold over her.

Judi Dench manages to portray a woman who is despicable and pitiable at the same time, while Blanchett draws on our sympathy despite unforgivable transgressions. The themes are very disturbing, and there's no happy ending--Barbara moves on while the other characters pick up the pieces. Blanchett's young art student may be the only one to emerge unscathed--but I won't say more. This film is most definitely for adults only, and some will be...

Clash Of The Acting Titans--"Scandal" Lacks Important Insight, But Offers Melodramatic Fun
One of the more critically lauded pictures of 2006, I was primarily interested in "Notes on a Scandal" for its Oscar nominated screenplay by Patrick Marber. Previously having brought "Closer" to the screen, I was eager to see his follow up. I know "Closer" had its detractors--but for me the writing was scathingly funny and refreshingly adult. And the concept behind "Notes" also sounded intriguingly grown-up. Let's be honest--who wouldn't want to see Cate Blanchett and Judi Dench square off? Emotionally and physically, this could be a battle of two of our most respected actresses. And while I did admire much of the film, the thing that ultimately disappointed me was the screenplay--and the aspects of character motivation that it doesn't bother to address.

"Scandal" introduces us to Blanchett, a new art teacher at the local high school. Awkward to her new position, she is something of a joke to a more experienced faculty member (played by Dench). Dench is a stern...

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